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Gone With the Wind Gone With the Wind


Gone With the Wind

ages 6+ | 80 % Say It's Worth Your Time

Epic Civil War drama focuses on the life of petulant southern belle Scarlett O'Hara (Vivien Leigh). Starting with her idyllic on a sprawling plantation, the film traces her survival through the tragic history of the South during the Civil War and Reconstruction, and her tangled love affairs with Ashley Wilkes (Leslie Howard) and Rhett Butler (Clark Gable).

Release Date:


Genre: Romance

Writer: Margaret Mitchell, Sidney Howard, Margaret Mitchell

Director: Victor Fleming

Producer: David Selznick

Cast: Ann Rutherford, Butterfly McQueen, Evelyn Keyes, George Reeves, Harry Davenport, Jane Darwell, Laura Hope Crews, Olivia de Havilland, Rand Brooks, Victor Jory, Vivien Leigh, Clark Gable, Leslie Howard, Ona Munson, Paul Hurst, Hattie McDaniel, Eddie Anderson, Ward Bond, William Bakewell, Thomas Mitchell, Cliff Edwards, Carroll Nye, Cammie King, Oscar Polk, Barbara O'Neil, Eric Linden, Isabel Jewell, Fred Crane, Lillian Kemble-Cooper


Ok for ages 6+ . What would you rate it?

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  • (Female)

    ages 3+ | Worth Your Time

    It is one of the most acclaimed classic films, and worth watching at least once just for that.
    I personally don't really enjoy the film. It's too long, or maybe it seems that way because watching spoiled Scarlett is so frustrating.

  • No Maturity Rating | Not Worth Your Time

    Sorry. I know this is a beloved film and I've really tried to like Gone With the Wind but just can't ever get through it. Too long, too stilted and just too boring.

  • ages 3+ | Worth Your Time

    It is one of the most acclaimed classic films, and worth watching at least once just for that.

  • (Male) Deseret News Critic

    No Maturity Rating |

    Carroll Ballard is a terrific director of scenic wonders and heart-pounding action. In fact, he packs more excitement into a competition of racing sailing yachts in "Wind" than any 10 cop thrillers.
    His earlier films, "The Black Stallion" and "Never Cry Wolf," a pair of excellent outdoor adventures, are triumphs of stunning cinematography, visual style and enchanting stories.
    But "Wind" has two very serious flaws — it's far too long and the romance at its center is very poorly conceived.
    The story is a fictionalization of a true event — when the America's Cup was lost by the United States for the first time in 140 years, as Australia took it for a season.
    The film casts Matthew Modine as a helmsman on wealthy, yacht-racing veteran Cliff Robertson's American ship as their team goes up against the Australian challengers (led by Jack Thompson). Modine's girlfriend (Jennifer Grey) is initially part of the team but is dropped, both because her relationship with Modine is seen as dispiriting to the rest of the team and because she is — horrors! — a woman.
    So, she takes off and Modine and Robertson take on Thompson, losing the race in disgrace. This plunges both into deep depression and Modine bums around the country while Robertson turns into Howard Hughes (in his eccentric, recluse era).
    Eventually, Modine finds Grey, who is working in the middle of the desert, in Dead Man's Flat, Nev. (These sequences were actually filmed here in Utah, on the salt flats).
    She's taken up with an eccentric European inventor (Stellan Skarsgard), and they are working on glider prototypes. Modine strikes up a friendship with him, and they begin working on a prototype for a new sailing ship.
    Eventually, with help from Robertson's daughter (Rebecca Miller), who raises money for the project, they build the boat and Modine gathers his old team together to challenge Thompson in the next America's Cup race.
    And it's "Rocky Goes Sailing."
    Modine is enjoyable in the lead and Grey delivers an ingratiating, spunky performance. But the second leads, Skarsgard and Miller, often steal the show, providing much-needed humor to lighten things up. Thompson is solid, as usual, but Robertson's character gets a bit too silly in the film's second half.
    "Wind" certainly has the gorgeous look of a Ballard film, along with those riveting racing scenes. But in the end, the screenplay, by Australian writer Mac Gudgeon ("Ground Zero") and American Rudy Wurlitzer ("Voyager"), is loaded with too many idiotic contrivances and flat dialogue.
    Still, it's worth a look if the subject interests you.
    It is rated PG-13 for nudity, profanity, vulgarity, sex and violence.

Okfor ages12+